More Lyon Redux

We came to Lyon to board Uniworld’s S.S. Catherine for a second chance at a Rhône River cruise after taking a similar cruise on AmaWaterways in May 2023 – I’m hoping to avoid Covid this time around! Our ship was berthed an easy fifteen-minute walk from our hotel, so we went there after breakfast to drop off our luggage – you can see the ship in the photo below, just above my head (there were five cruise ships berthed in the stretch between the bridge we were about to cross and the next bridge about a kilometer downriver).

We’ve mostly been visiting museums we missed the first time around; today, we returned to the Fine Arts Museum with time for a more leisurely visit than we’d had in 2023. We went directly to the painting floors and saw pretty much everything that was on display (the 20th and 21st Century gallery was closed).

La Plage (Appian, 1870)
Dagnan-Bouveret (A Wedding at a Photographer’s Studio)
Monet (The Entrance of Grande Rue in Argenteuil, Winter, 1875)
Boudin (Sailboats at the Harbour, Deauville, 1896)
Monet (Rough Sea, Étretat, 1883)
Véronèse (The Finding of Moses, 16th C. Italian)
Anonymous (David Giving Praise to God after the Death of Goliath
Salomon Koninck (The Sacrifice of Manoah, circa 1650)
Bellotto (The Grand Canal of Venice, circa 1740)
Louis Janmot (Fleur des Champs (Flowers of the Field), 1845)
Joseph Guichard (La Mauvaise Pensée (The Bad Thought), 1832)

For reasons best known to themselves, the Museum was going to have live instrumentalists play original compositions inspired by some of the paintings during the afternoon; they were rehearsing while we were looking at the paintings, which was interesting, but we were hungry, so we didn’t stick around for the official performances. We passed one of the more interesting restaurants we’d eaten in in 2023 on our way back to the ship.

Our route took us across the Guillotière Bridge; we’d seen a painting by Sicard showing the entrance to the bridge in rainy weather in 1879; it was only cloudy this afternoon, but I did my best to reproduce the painting. See if you can tell which is which without looking at the captions.

Sicard (The Entrance of Guillotière Bridge in Lyon in rainy Weather)
Singer (The Entrance of Guillotière Bridge in Lyon in cloudy Weather, 2025)

We got to the ship a few minutes before the dining room closed and had a very pleasant lunch with an Australian couple, then sat in the lounge with a British couple until we were able to get into our room. Then we chatted with a couple from Brazil (who used to work at Stanford) and had dinner with yet another couple from Australia. So far, we haven’t really met any other Americans – I’m sure that will change soon.

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