Comfort food

Today started early; Diane had an MRI at 7:45 (results: negative), so we got up early, which worked out well for me, since I had a telecon starting at 6am. Well, it would have worked out a lot better if I’d slept last night, but I made the mistake of fiddling with a project until nearly 11, and my mind was trying to finish the job all night.

So I wasn’t at my brightest this morning, and sitting on the phone for two-and-a-half hours, then rushing to work and getting back on for another two hours didn’t improve my mood any. (I keep reminding myself that I could be in Somers — but even that wasn’t enough to cheer me up today!)

We divided into smaller teams at 11:15 Eastern; instead of dialing my workgroup immediately, I decided to take a break and have an early lunch. Nothing at the cafeteria remotely appealed; instead, I drove to Mojo Burger for a tasty, if not terribly healthy, meal. I did eschew the free upgrade to a shake, though.

Getting out into the fresh air helped; food helped more. By the time I returned to the office, I was ready to get back on the phone for the next three hours of calls. Then I even managed to write a little code before calling it a night.

The laptop is still zipped up in the briefcase, by the way, and I can’t connect to work on this machine. Ahhh….

Guilt is entirely optional

I tried to watch the 2005 version of The Producers tonight. The original movie was one of the first laserdiscs we ever bought, and it’s still one of my favorite movies.

I’d put the 2005 version on my Netflix queue some time ago, and it’s been sitting here for a week or so, waiting for me to get the necessary round tuit. Tonight was the night; I knew this version had been panned, but I really wasn’t expecting quite so much padding. I kept comparing Nathan Lane and Matthew Broderick to Zero Mostel and Gene Wilder and finding them lacking (though I must admit that Uma Thurman was up to Lee Meredith’s standards).

I stuck with the movie for about 30 minutes, then started making heavy use of the remote control to get to the good parts — well, good part. “Springtime for Hitler” was certainly worth watching, but then the movie went off the rails again.

If I’d bought the DVD, I’d feel like an idiot. If I’d paid to rent it, I’d’ve felt obligated to see the whole thing. But since I got it from Netflix, all I lost was a little time — it was never the only Netflix movie sitting at home, so there wasn’t even any real opportunity cost (and I’m still using Mom’s prepaid membership).

Why do I feel guilty anyway?